Archive for the ‘Jewelry Making Sources We Use’ Category

Ode To Tools

Friday, April 9th, 2010

To normal people tools don’t give them joy but to jewelers a tool can be the difference between night and day. We get most of our tools from Rio Grande with the exception of one. We have certain pliers that we  use to do certain tasks. My personal favorite brand of pliers is Lindstrom. They have a tool set that comes complete with a Flat Nose, which work best for closing jumprings &  earwires, a Chain Nose, which works best for holding chain, a Needle Nose, for wire wrapping, and Clippers, for cutting.

Another tool that we just can’t live without is a chasing hammer. Everything of ours that you see flattened or textured is done by hand with the chasing hammer. The flat head side is what makes the flat look while the knob on the back part of the hammer is what makes the textured look. One thing to watch out for is the convexity of the flat part of the hammer. Too convex and it gives whatever your hammering a more textured flat look. Another kind of hammer we use is a rawhide mallet. The great thing about this kind of hammer is that it wont score or mar the metal if you need to shape something. We use this when forming our cuffs and some of our bangles.

Our newest tool that helps out soooo much and saves soooo much time is the jewelers helping hand. This tool is the only one we do not get from Rio Grande. We discovered this helper at Harbor Freight Tools which by the way, if you love tools this is THE place to go! The helping hand is great for holding down wire or holding a piece in place while you fix it. I don’t know how I made a lot of things without pulling my hair out before finding this beauty!

Photography, the pleasure and the pain

Sunday, February 28th, 2010

I take my own pictures that you see on the website and in my promotional materials.  I’m completely self-taught and it has been very trying at times.  It wasn’t because I love taking pictures- it was a complete necessity.  I couldn’t- and still can’t- afford professional pix.  I spend my money on materials & help.  I felt that if I stuck with it, I could take adequate pix and I’d have the freedom to add new items right away without waiting for a photographer.  For all of you beginning jewelry designers, I have a couple of tips.

1.  Get yourself a good digital camera.  I use a Canon Digital Rebel XT.  I use the lens that comes with it.  I also bought a macro lens but have found that the regular lens works better for my jewelry.

2.  GET AN EXTRA BATTERY & CHARGER.  There’s nothing worse than being in the middle of a jewelry shoot and running out of juice.

3.  Get a light box kit.  Here’s where I got mine:  http://store.tabletopstudio-store.com/dejephkit.html

It’s not inexpensive, but getting kit is really worth it.  You might try ebay for a used one.  Here’s what a kit includes- you can see why it’s a good deal to get a kit.  It’s almost everything you need!

  • 12″ EZcube
  • 20″ EZcube
  • White & Black Acrylic Panels
  • Kühl Lite™ Tabletop Light Set & 16″ reflectors
  • TabletopStudio Sparkler Light with 5″ reflector
  • Free upgrade – LED Diamond dazzler bulb now included
  • Five 5000K daylight color High CRI CFL Bulbs
  • Small container of prop wax
  • Anti static brush
  • 4.  Get your set up in order for how you will take pix.  Here’s what I use for earrings:

    a.  two tall earring t-stands

    b.  white colored pencil to hang the earrings on

    c.  White Foam Background- you can buy sheets of this at any craft store.  It’s low-tech but it’s the whitest background I’ve found.

    b.  You’ll need some kind of riser for lifting your piece into the middle of the cube.  I use an acrylic riser that I bought for jewelry but it’s small and works well.  On top of it I use a large floor tile to act as a stable base.

    c.  I use silver light bounce cards if I need a little extra light on the jewelry.

    d.  I shoot everything on the P setting which allows me to change the AV settings which I find works best in the +1 to +2 setting.  It allows the most light and helps me get my background as white as possible so that jewelry stands out.Experiment with props and different colored backgrounds that highlight but don’t distract from your jewelry.  It takes a lot of practice but you will get pretty good at it.  And it really is trial and error until you get the results you are looking for.  There were many times that I was just pushing all sorts of buttons and recording which were pushed until I got the right combo.  Don’t be afraid to experiment and don’t be afraid of your camera!  Just always replace the lens  cap!

    Argentium- it’s awesome!

    Tuesday, August 11th, 2009

    Picture 5

    I’m writing today about the miracle that is Argentium- one of the biggest advances in the jewelry world.  It’s a sterling silver alloy, so it’s still technically sterling silver.  It is 92.5% pure silver but instead of being combined with 7.5% copper, it’s combined with a metalloid germanium.  This is a significant improvement for designers in that it is highly tarnish resistant.  It also has advantages for traditional silversmiths related to it’s properties when heated.  For us, it means that we can offer our clients silver that they don’t have to polish!  Though it is not available in every finding that we use as people are just beginning to get comfortable with it, we are able to buy wire which is a core element in our designs.  The big findings companies are starting to offer more items every year as it catches on.  Riogrande.com offers quite a few staples such as wire, jump rings & headpins in the fantastic stuff!  Another couple of sites that have some findings are: argentiumsilverfindings.com & halsteadbead.com.  It is more expensive, so right now it’s a tough choice but to us it’s completely worth it!  It is our hope that one day all of our silver components will be available in Argentium.  If enough designers demand it, then we’ll be in luck!  Argentium Silver is patented and trademarked by Argentium Silver Company, UK.